You can see he starts with what is, moves back and forth between what is and what could be, and ends with a very poetic new bliss, which is the famous part we all know.
We have to create a culture around technology that is so beautiful, so meaningful, so deep, so endlessly creative, so filled with infinite potential that it draws us away from committing mass suicide."
RM: Yeah. Every time you think you've chased something down, it's funny, no matter how good you are, and I know guys like this, it feels like you're polishing a turd, you know?
So my name is Amy Webb, and a few years ago I found myself at the end of yet another fantastic relationship that came burning down in a spectacular fashion.
His best-known poems are songs of grief, or in his words, “mournful and never-ending remembrance.” “The Raven, ” in which the speaker projects his grief onto a bird who merely repeats a single sound, made Poe famous.
(Applause) So, I wanted to leave on a positive note, because that's the paradox that this life has been: in the places where I learned to cry the most, I also learned how to smile after.
By the way, two days ago, we were going to film this down there, at the race course, and we got a guy into a car, and we got a camera man in the back, but halfway through the drive, he told me he had, I think it was a nine-millimeter, stuck to his leg.
Now, as a policy matter -- I'm almost done -- as a policy matter, the thing to think about is this: what enables all of this choice in industrial societies is material affluence.
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